Jumat, 28 September 2012

[Q581.Ebook] Download PDF Hologram Universe - Is a Holographic Computer our Universe?, by Sol Adoni

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Hologram Universe - Is a Holographic Computer our Universe?, by Sol Adoni

Hologram Universe - Is a Holographic Computer our Universe?, by Sol Adoni



Hologram Universe - Is a Holographic Computer our Universe?, by Sol Adoni

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Hologram Universe - Is a Holographic Computer our Universe?, by Sol Adoni

Reviews

1 eBooks – Dr. Adoni is a genius and his Hologram Universe Theory is now cutting edge theory in physics.

1 Book Review – Oh now we’re inside a matrix…

In a think tank in the 1970’s as a teen age boy, Dr. Sol Adoni first theorized a six and ten dimensional computer language that academia instantly recognized as a theory that could turn our universe into a super computer.
Humans are third dimensionally aware beings, so what if there are computers that think in six and even ten dimensions of thought?

We all could live inside such artificial intelligence machines.

For decades Dr. Adoni has amazed the world with major new theories in math, physics, astrophysics and computer science.

In Hologram Universe Dr. Adoni explains some of theories and he proves to many we are all inside a HOLOGRAM UNIVERSE…


  • Sales Rank: #1221582 in eBooks
  • Published on: 2014-09-11
  • Released on: 2014-09-11
  • Format: Kindle eBook

Review
247 News - Dr. Sol Adoni is often referred to as a GENIUS due to all the new laws of mathematics, physics, astrophysics, geophysics and computer science that bear his famous name. He has penned over 100 books and academic papers in his career. He has founded many tech companies and Internet companies as well as the think tank Universitius and HelixQ.
1 eBooks - Dr. Sol Adoni is what will be known in the future as a Universal Man. Way beyond the great genius of the Renaissance Men who came before him. His knowledge has name attached to new laws of mathematics, physics and computer science that ensure millenniums form now the name Dr. Sol Adoni will still be spoken with awe..�

1 Book Review - How do you describe a man who has numerous new laws of math and physics named after him? PURE GENIUS perhaps but even such a term cannot truly describe the vast work of Dr. Adoni that ensures him a legacy in the future as long as there are humans to read his remarkable words on a myriad of topics including math, computer science, physics, religion, history and philosophy.

Most helpful customer reviews

1 of 2 people found the following review helpful.
The 30 Mod Prime Algorithm came from the amazing mind of Dr
By BR Inman
For almost 40 years Dr. Sol Adoni has been telling the world of Academia wake up the Universe is a computer, now quantum physics is verifying his ideas. As the founder of HelixQ an artificial intelligence program project, Dr. Adoni is light years ahead of the physicists trying to prove a holographic computer is behind our virtual world.

The 30 Mod Prime Algorithm came from the amazing mind of Dr. Adoni in the mid 1990's, only recently have computers tested it and verified it is the fastest way to generate prime numbers, it is the biggest revolution in number theory since the sieve of Eratosthenes was discovered thousands of years ago, it should win Dr. Adoni the Nobel prize in mathematics in my opinion.

The PDF Theory (Planetary Distance Formula) of Dr. Adoni in the early 2000's corrected one of the original laws of modern physics that modern physics threw out a while ago, now Titius Bode Sollog Law is rewriting modern physics with an old theory that was corrected by Dr. Adoni. Since PDF was released NASA has verified the locations he theorized that should have planetary bodies.

As the dawn of real AI computers nears, the age when mankind realizes our universe is running inside a computer is nigh. In this ground breaking book Dr. Adoni explains his own mediation techniques he discovered that allows his human mind to connect to the Astral core of our consciousness. If you explore this book and begin to train your mind to his mediation techniques you will awaken the so-called 'God Particle that is within all sentient life forms.

0 of 1 people found the following review helpful.
Waste of time/money *yawn*
By Tooksta
Hardly anything in this book about the Hologram Universe theory.. Maybe one chapter. The rest is egotistical BS, mathematics, and crackpot conspiracy theories.
Don't waste your money like I did. Editing isn't even correct, repeatedly says "mediation" instead of "meditation".
Crap!

See all 2 customer reviews...

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Rabu, 26 September 2012

[D440.Ebook] Download PDF Prince of Thorns (The Broken Empire), by Mark Lawrence

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Prince of Thorns  (The Broken Empire), by Mark Lawrence

Prince of Thorns (The Broken Empire), by Mark Lawrence



Prince of Thorns  (The Broken Empire), by Mark Lawrence

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Prince of Thorns  (The Broken Empire), by Mark Lawrence

When he was nine, he watched as his mother and brother were killed before him. At thirteen, he led a band of bloodthirsty thugs. By fifteen, he intends to be king…

It’s time for Prince Honorous Jorg Ancrath to return to the castle he turned his back on, to take what’s rightfully his. Since the day he hung pinned on the thorns of a briar patch and watched Count Renar’s men slaughter his mother and young brother, Jorg has been driven to vent his rage. Life and death are no more than a game to him—and he has nothing left to lose. But treachery awaits him in his father’s castle. Treachery and dark magic. No matter how fierce his will, can one young man conquer enemies with power beyond his imagining?

  • Sales Rank: #25321 in Books
  • Brand: Brand: Ace
  • Published on: 2012-07-31
  • Released on: 2012-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.00" w x 4.30" l, .36 pounds
  • Binding: Mass Market Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Review
“This book is brilliant.” --Galaxy Book Reviews

“[A] morbidly gripping, gritty fantasy tale.” --Publishers Weekly

“The best book I’ve read all year…[Lawrence] pulls you in and doesn’t let go.” --New York Times bestselling author Peter V. Brett

“Prince of Thorns deserves attention as the work of an iconoclast who seems determined to turn that familiar thing, Medievalesque Fantasy Trilogy, entirely on its head.” --Locus

About the Author
Mark Lawrence�is a research scientist working on artificial intelligence. He is a dual national with both British and American citizenship, and has held secret-level clearance with both governments. At one point, he was qualified to say, “This isn’t rocket science—oh wait, it actually is.” He is the author of the Broken Empire trilogy (Prince of Thorns,�King of Thorns, and�Emperor of Thorns) and the Red Queen’s War trilogy (Prince of Fools,�The Liar’s Key, and�The Wheel of Osheim).

Excerpt. � Reprinted by permission. All rights reserved.
1

Ravens! Always the ravens. They settled on the gables of the church even before the injured became the dead. Even before Rike had finished taking fingers from hands, and rings from fingers. I leaned back against the gallows-post and nodded to the birds, a dozen of them in a black line, wise-eyed and watching.

The town-square ran red. Blood in the gutters, blood on the flagstones, blood in the fountain. The corpses posed as corpses do. Some comical, reaching for the sky with missing fingers, some peaceful, coiled about their wounds. Flies rose above the wounded as they struggled. This way and that, some blind, some sly, all betrayed by their buzzing entourage.

'Water! Water!' It's always water with the dying. Strange—it's killing that gives me a thirst.

And that was Mabberton. Two hundred dead farmers lying with their scythes and axes. You know, I warned them that we do this for a living. I said it to their leader, Bovid Tor. I gave them that chance, I always do. But no. They wanted blood and slaughter. And they got it.

War, my friends, is a thing of beauty. Those as says otherwise are losing. If I'd bothered to go over to old Bovid, propped up against the fountain with his guts in his lap, he'd probably take a contrary view. But look where disagreeing got him.

'Shit-poor farm maggots,' Rike discarded a handful of fingers over Bovid's open belly. He came to me, holding out his takings, as if it was my fault. 'Look! One gold ring. One! A whole village and one fecking gold ring. I'd like to set the bastards up and knock 'em down again. Fecking bog-farmers.'

He would too: he was an evil bastard, and greedy with it. I held his eye. 'Settle down, Brother Rike. There's more than one kind of gold in Mabberton.'

I gave him my warning look. His cursing stole the magic from the scene; besides, I had to be stern with him. Rike was always on the edge after a battle, wanting more. I gave him a look that told him I had more. More than he could handle. He grumbled, stowed his bloody ring, and thrust his knife back in his belt.

Makin came up then and flung an arm about each of us, clapping gauntlet to shoulder-plate. If Makin had a skill, then smoothing things over was it.

'Brother Jorg is right, Little Rikey. There's treasure aplenty to be found.' He was wont to call Rike 'Little Rikey', on account of him being a head taller than any of us and twice as wide. Makin always told jokes. He'd tell them to those as he killed, if they gave him time. Liked to see them go out with a smile.

'What treasure?' Rike wanted to know, still surly.

'When you get farmers, what else do you always get, Little Rikey?' Makin raised his eyebrows all suggestive.

Rike lifted his visor, treating us to his ugly face. Well brutal more than ugly. I think the scars improved him. 'Cows?'

Makin pursed his lips. I never liked his lips, too thick and fleshy, but I forgave him that, for his joking and his deathly work with that flail of his. 'Well, you can have the cows, Little Rikey. Me, I'm going to find a farmer's daughter or three, before the others use them all up.'

They went off then, Rike doing that laugh of his—'hur, hur, hur'—as if he was trying to cough a fishbone out.

I watched them force the door to Bovid's place opposite the church, a fine house, high roofed with wooden slates and a little flower garden in front. Bovid followed them with his eyes, but he couldn't turn his head.

I looked at the ravens, I watched Gemt and his half-wit brother, Maical, taking heads, Maical with the cart and Gemt with the axe. A thing of beauty, I tell you. At least to look at. I'll agree war smells bad. But, we'd torch the place soon enough and the stink would all turn to wood-smoke. Gold rings? I needed no more payment.

'Boy!' Bovid called out, his voice all hollow like, and weak.

I went to stand before him, leaning on my sword, tired in my arms and legs all of a sudden. 'Best speak your piece quickly, farmer. Brother Gemt's a-coming with his axe. Chop-chop.'

He didn't seem too worried. It's hard to worry a man so close to the worm-feast. Still it irked me that he held me so lightly and called me 'boy'. 'Do you have daughters, farmer? Hiding in the cellar maybe? Old Rike will sniff them out.'

Bovid looked up sharp at that, pained and sharp. 'H-how old are you, boy?'

Again the 'boy'. 'Old enough to slit you open like a fat purse,' I said, getting angry now. I don't like to get angry. It makes me angry. I don't think he caught even that. I don't think he even knew it was me that opened him up not half an hour before.

'Fifteen summers, no more. Couldn't be more…' His words came slow, from blue lips in a white face.

Out by two, I would have told him, but he'd gone past hearing. The cart creaked up behind me, and Gemt came along with his axe dripping.

'Take his head,' I told them. 'Leave his fat belly for the ravens.'

Fifteen! I'd hardly be fifteen and rousting villages.

By the time fifteen came around, I'd be King!

2

Mabberton burned well. All the villages burned well that summer. Makin called it a hot bastard of a summer, too mean to give out rain, and he wasn't wrong. Dust rose behind us when we rode in; smoke when we rode out.

'Who'd be a farmer?' Makin liked to ask questions.

'Who'd be a farmer's daughter?' I nodded toward Rike, rolling in his saddle, almost tired enough to fall out, wearing a stupid grin and a bolt of samite cloth over his half-plate. Where he found samite in Mabberton I never did get to know.

'Brother Rike does enjoy his simple pleasures,' Makin said.

He did. Rike had a hunger for it. Hungry like the fire.

The flames fair ate up Mabberton. I put the torch to the thatched inn, and the fire chased us out. Just one more bloody day in the years' long death throes of our broken empire.

Makin wiped at his sweat, smearing himself all over with soot-stripes. He had a talent for getting dirty, did Makin. 'You weren't above those simple pleasures yourself, Brother Jorg.'

I couldn't argue there. 'How old are you?' that fat farmer had wanted to know. Old enough to pay a call on his daughters. The fat girl had a lot to say, just like her father. Screeched like a barn owl: hurt my ears with it. I liked the older one better. She was quiet enough. So quiet you'd give a twist here or there just to check she hadn't died of fright. Though I don't suppose either of them was quiet when the fire reached them…

Gemt rode up and spoiled my imaginings.

'The Baron's men will see that smoke from ten miles. You shouldn'ta burned it.' He shook his head, his stupid mane of ginger hair bobbing this way and that.

'Shouldn'ta,' his idiot brother joined in, calling from the old grey. We let him ride the old grey with the cart hitched up. The grey wouldn't leave the road. That horse was cleverer than Maical.

Gemt always wanted to point stuff out. 'You shouldn'ta put them bodies down the well, we'll go thirsty now.' 'You shouldn'ta killed that priest, we'll have bad luck now.' 'If we'd gone easy on her we'd have a ransom from Baron Kennick.' I just ached to put my knife through his throat. Right then. Just to lean out and plant it in his neck. 'What's that? What say you, Brother Gemt? Bubble, bubble? Shouldn'ta stabbed your bulgy old Adam's apple?'

'Oh no!' I cried, all shocked like. 'Quick, Little Rikey, go piss on Mabberton. Got to put that fire out.'

'Baron's men will see it,' said Gemt, stubborn and red-faced. He went red as a beet if you crossed him. That red face just made me want to kill him even more. I didn't, though. You got responsibilities when you're a leader. You got a responsibility not to kill too many of your men. Or who're you going to lead?

The column bunched up around us, the way it always did when something was up. I pulled on Gerrod's reins and he stopped with a snicker and a stamp. I watched Gemt and waited. Waited until all thirty-eight of my brothers gathered around, and Gemt got so red you'd think his ears would bleed.

'Where we all going, my brothers?' I asked, and I stood in my stirrups so I could look out over their ugly faces. I asked it in my quiet voice and they all hushed to hear.

'Where?' I asked again. 'Surely it isn't just me that knows? Do I keep secrets from you, my brothers?'

Rike looked a bit confused at this, furrowing his brow. Fat Burlow came up on my right, on my left the Nuban with his teeth so white in that soot-black face. Silence.

'Brother Gemt can tell us. He knows what should be and what is.' I smiled, though my hand still ached with wanting my dagger in his neck. 'Where we going, Brother Gemt?'

'Wennith, on the Horse Coast,' he said, all reluctant, not wanting to agree to anything.

'Well and good. How we going to get there? Near forty of us on our fine oh-so-stolen horses?'

Gemt set his jaw. He could see where I was going.

'How we going to get there, if we want us a slice of the pie while it's still nice and hot?' I asked.

'Lich Road!' Rike called out, all pleased that he knew the answer.

'Lich Road,' I repeated, still quiet and smiling. 'What other way could we go?' I looked at the Nuban, holding his dark eyes. I couldn't read him, but I let him read me.

'Ain't no other way.'

Rike's on a roll, I thought, he don't know what game's being played, but he likes his part.

'Do the Baron's men know where we're going?' I asked Fat Burlow.

'War dogs follow the front,' he said. Fat Burlow ain't stupid. His jowls quiver when he speaks, but he ain't stupid.

'So…' I looked around them, real slow-like. 'So, the Baron knows where bandits such as ourselves will be going, and he knows the way we've got to go.' I let that sink in. 'And I just lit a bloody big fire that tells him and his what a bad idea it'd be to follow.'

I stuck Gemt with my knife then. I didn't need to, but I wanted it. He danced pretty enough too, bubble bubble on his blood, and fell off his horse. His red face went pale quick enough.

'Maical,' I said. 'Take his head.'

And he did.

Gemt just chose a bad moment.

3

'Two dead, two wrigglers.' Makin wore that big grin of his.

We'd have camped by the gibbet in any case, but Makin had ridden on ahead to check the ground. I thought the news that two of the four gibbet cages held live prisoners would cheer the brothers.

'Two,' Rike grumbled. He'd tired himself out, and a tired Little Rikey always sees a gibbet as half empty.

'Two!' the Nuban hollered down the line.

I could see some of the lads exchanging coin on their bets. The Lich Road is as boring as a Sunday sermon. It runs straight and level. So straight it gets so as you'd kill for a left turn or a right turn. So level you'd cheer a slope. And on every side, marsh, midges, midges and more marsh. On the Lich Road it didn't get any better than two caged wrigglers on a gibbet.

Strange that I didn't think to question what business a gibbet had standing out there in the middle of nowhere. I took it as a bounty. Somebody had left their prisoners to die, dangling in cages at the roadside. A strange spot to choose, but free entertainment for my little band nonetheless The brothers were eager, so I nudged Gerrod into a trot. A good horse, Gerrod. He shook off his weariness and clattered along. There's no road like the Lich Road for clattering along.

'Wrigglers!' Rike gave a shout and they were all racing to catch up.

I let Gerrod have his head. He wouldn't let any horse get past him. Not on this road. Not with every yard of it paved, every flagstone fitting with the next so close a blade of grass couldn't hope for the light. Not a stone turned, not a stone worn. Built on a bog, mind you!

I beat them to the wrigglers, of course. None of them could touch Gerrod. Certainly not with me on his back and them all half as heavy again. At the gibbet I turned to look back at them, strung out along the road. I yelled out, wild with the joy of it, loud enough to wake the head-cart. Gemt would be in there, bouncing around at the back.

Makin reached me first, even though he'd rode the distance twice before.

'Let the Baron's men come,' I told him. 'The Lich Road is as good as any bridge. Ten men could hold an army here. Them that wants to flank us can drown in the bog.'

Makin nodded, still hunting his breath.

'The ones who built this road… if they'd make me a castle—' Thunder in the east cut across my words.

'If the Road-men built castles we'd never get in anywhere,' Makin said. 'Be happy they're gone.'

We watched the brothers come in. The sunset turned the marsh pools to orange fire, and I thought of Mabberton.

'A good day, Brother Makin,' I said.

'Indeed, Brother Jorg,' he said.

So, the brothers came and set to arguing over the wrigglers. I went and sat against the loot-cart to read while the light stayed with us and the rain held off. The day left me in mind to read Plutarch. I had him all to myself, sandwiched between leather covers. Some worthy monk spent a lifetime on that book. A lifetime hunched over it, brush in hand. Here the gold, for halo, sun, and scrollwork. Here a blue like poison, bluer than a noon sky. Tiny vermilion dots to make a bed of flowers. Probably went blind over it, that monk. Probably poured his life in here, from young lad to grey-head, prettying up old Plutarch's words.

The thunder rolled, the wrigglers wriggled and howled, and I sat reading words that were older than old before the Road-men built their roads.

'You're cowards! Women with your swords and axes!' One of the crow-feasts on the gibbet had a mouth on him.

'Not a man amongst you. All pederasts, trailing up here after that little boy.' He curled his words up at the end like a Merssy-man.

'There's a fella over here got an opinion about you, Brother Jorg!' Makin called out.

A drop of rain hit my nose. I closed the cover on Plutarch. He'd waited a while to tell me about Sparta and Lycurgus, he could wait some more and not get wet doing it. The wriggler had more to say and I let him tell it to my back. On the road you've got to wrap a book well to keep the rain out. Ten turns of oilcloth, ten more turns the other way, then stash it under a cloak in a saddlebag. A good saddlebag mind, none of that junk from the Thurtans, good double-stitched leather from the Horse Coast.

The lads parted to let me up close. The gibbet stank worse than the head-cart, a crude thing of fresh-cut timber. Four cages hung there. Two held dead men. Verydead men. Legs dangling through the bars, raven-pecked to the bone. Flies thick about them, like a second skin, black and buzzing. The lads had taken a few pokes at one of the wrigglers, and he didn't look too cheerful for it. In fact he looked as if he'd pegged it. Which was a waste, as we had a whole night ahead of us, and I'd have said as much, but for the wriggler with the mouth.

'So now the boy comes over! He's finished looking for lewd pictures in his stolen book.' He sat crouched up in his cage, his feet all bleeding and raw. An old man, maybe forty, all black hair and beard and dark eyes glittering. 'Take the pages to wipe your dung, boy,' he said fierce-like, grabbing the bars all of a sudden, making the cage swing. 'It's the only use you'll get from it.'

'We could set a slow fire?' Rike said. Even Rike knew the old man just wanted us angry, so we'd finish him quick. 'Like we did at the Ronwood gibbets.'

A few chuckles went up at that. Not from Makin though. He had a frown on under his dirt and soot, staring at the wriggler. I held up a hand to quiet them down.

'It'd be a shameful waste of such a fine book, Father Gomst,' I said.

Like Makin, I'd recognized Gomst through all that beard and hair. Without that accent though he'd have got roasted.

'Especially an "On Lycurgus" written in high Latin, not that pidgin-Romano they teach in church.'

'You know me?' He asked it in a cracked voice, weepy all of a sudden.

'Of course I do.' I pushed both hands through my lovely locks, and set my hair back so he could see me proper in the gloom. I have the sharp dark looks of the Ancraths. 'You're Father Gomst, come to take me back to school.'

'Pr-prin…' He was blubbing now, unable to get his words out. Disgusting really. Made me feel as if I'd bitten something rotten.

'Prince Honorous Jorg Ancrath, at your service.' I did my court bow.

'Wh-what became of Captain Bortha?' Father Gomst swung gently in his cage, all confused.

'Captain Bortha, sir!' Makin snapped a salute and stepped up. He had blood on him from the first wriggler.

We had us a deathly silence then. Even the chirp and whir of the marsh hushed down to a whisper. The brothers looked from me, back to the old priest, and back to me, mouths hanging open. Little Rikey couldn't have looked more surprised if you'd asked him nine times six.

The rain chose that moment to fall, all at once as if the Lord Almighty had emptied his chamber pot over us. The gloom that had been gathering set thick as treacle.

'Prince Jorg!' Father Gomst had to shout over the rain. 'The night! You've got to run!' He held the bars of his cage, white-knuckled, wide eyes unblinking in the downpour, staring into the darkness.

And through the night, through the rain, over the marsh where no man could walk, we saw them coming. We saw their lights. Pale lights such as the dead burn in deep pools where men aren't meant to look. Lights that'd promise whatever a man could want, and would set you chasing them, hunting answers and finding only cold mud, deep and hungry.

I never liked Father Gomst. He'd been telling me what to do since I was six, most often with the back of his hand as the reason.

'Run Prince Jorg! Run!' old Gomsty howled, sickeningly self-sacrificing.

So I stood my ground.

4

The dead came on through the rain, the ghosts of the bog-dead, of the drowned, and of men whose corpses were given to the mire. I saw Red Kent run blind and flounder in the marsh. A few of the brothers had the sense to take the road when they ran, most ended in the mire.

Father Gomst started praying in his cage, shouting out the words like a shield: 'Father who art in heaven protect thy son. Father who art in heaven.' Faster and faster, as the fear got into him.

The first of them came up over the sucking pool, and onto the Lichway. He had a glow about him like moonlight, something that you knew would never warm you. You could see his body limned in the light, with the rain racing through him and bouncing on the road.

Nobody stood with me. The Nuban ran, eyes wide in a dark face. Fat Burlow looking as if the blood was let from him. Rike screaming like a child. Even Makin, with a horror on him.

I held my arms wide to the rain. I could feel it beat on me. I didn't have so many years under my belt, but even to me the rain fell like memory. It woke wild nights in me when I stood on the Keep Tower, on the edge above a high fall, near drowned in the deluge and daring the lightning to touch me.

'Our Father who art in heaven. Father who art…' Gomst started to gabble when the lich came close. It burned with a cold fire and you could feel it licking at your bones.

I kept my arms wide and my face to the rain.

'My father isn't in heaven Gomsty,' I said. 'He's in his castle, counting out his men.'

The dead thing closed on me, and I looked in its eyes. Hollow they were.

'What have you got?' I said.

And it showed me.

And I showed it.

There's a reason I'm going to win this war. Everyone alive has been fighting a battle that grew old before they were born. I cut my teeth on the wooden soldiers in my father's war-room. There's a reason I'm going to win where they failed. It's because I understand the game.

'Hell,' the dead man said. 'I've got hell.'

And he flowed into me, cold as dying, edged like a razor.

I felt my mouth curl in a smile. I heard my laughing over the rain.

A knife is a scary thing right enough, held to your throat, sharp and cool. The fire too, and the rack. And an old ghost on the Lichway. All of them might give you pause. Until you realize what they are. They're just ways to lose the game. You lose the game, and what have you lost? You've lost the game.

That's the secret, and it amazes me that it's mine and mine alone. I saw the game for what it was the night when Count Renar's men caught our carriage. There was a storm that night too, I remember the din of rain on the carriage roof and the thunder beneath it.

Big Jan had fair hauled the door off its hinges to get us out. He only had time for me though. He threw me clear; into a briar patch so thick that the Count's men persuaded themselves I'd run into the night. They didn't want to search it. But I hadn't run. I'd hung there in the thorns, and I saw them kill Big Jan. I saw it in the frozen moments the lightning gave me.

I saw what they did to Mother, and how long it took. They broke little William's head against a milestone. Golden curls and blood. And I'll admit that William was the first of my brothers, and he did have his hooks in me, with his chubby hands and laughing. Since then I've taken on many a brother, and evil ones at that, so I'd not miss one or three. But at the time, it did hurt to see little William broken like that, like a toy. Like something worthless.

When they killed him, Mother wouldn't hold her peace, so they slit her throat. I was stupid then, being only nine, and I fought to save them both. But the thorns held me tight. I've learned to appreciate thorns since.

The thorns taught me the game. They let me understand what all those grim and serious men who've fought the Hundred War, have yet to learn. You can only win the game when you understand that it is a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him lose them all.

'What have you got for me, dead thing?' I asked.

It's a game. I will play my pieces.

I felt him cold inside me. I saw his death. I saw his despair. And his hunger. And I gave it back. I'd expected more, but he was only dead.

I showed him the empty time where my memory won't go. I let him look there.

He ran from me then. He ran, and I chased him. But only to the edge of the marsh. Because it's a game. And I'm going to win.

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187 of 210 people found the following review helpful.
Grim, Dark, Fantastic: Lawrence is the new KJ Parker
By Amazon Customer
All I can say about this book is "wow". Actually, that's a lie; I have a lot more to say. These kind of grim, ultra-harsh fantasies with anti-hero leads are really hard to write well. Getting the right mix of believability and twisted viciousness in the protagonist, while not making the reader totally hate him, is tough. Before reading this, KJ Parker (Fencer trilogy, Scavenger trilogy) was the undisputed king in this area; now Lawrence (the author) joins him as one of the great masters of dark fantasy.

The plot is solid: in a Jack Vance "Dying Earth"-ish future, scores of petty kings and nobles compete to reclaim an empire, while in the shadows magicians and necromancers manipulate and control events for their own agendas. The protagonist, Prince Jorg, has been on the road with the roughest band of killers for four years, forging himself into a weapon after his mother and brother were killed in front of him. Having taken control of this brotherhood of brigands, he decides to return home and attempt to take his birthright, sparking further trials and conquests.

The writing style was very good, the pacing was great, and flashbacks filled in the backstory in nicely digestible pieces. As a note, I'm normally not such a fan of flashbacks, but Lawrence managed to keep them germane, where each one helped further the main storyline, rather than distracting from it. Lawrence, like Parker, really excels in his character portrayal of Jorg, and captures his semi-psychotic nature. I liked the combat writing too; typically fast, vicious, and clever, it avoided pitfalls of unbelievable actions or lengthy, technically complicated duels, while still included more than enough blood and bodies.

Overall a great effort, and possibly the best dark fantasy I've read since the Fencer trilogy. Recommended to anyone that likes a dark fantasy, and particularly to those that like KJ Parker (and vice versa).

78 of 87 people found the following review helpful.
One of the Best Anti-heroes in a Long Time
By Amanda M Lyons
What a wonderfully dark and often humorous trip this books has been!

Prince of Thorns is the story of Honorous Jorg Ancrath as much a prince of thievery and cruelty as he is to the throne currently occupied by his less than chivalrous father. A smart quick-witted and brutal 15 year old, Jorg is often taken for less than the sum of his experience. He is no less than a rogue and has more than earned his place among his Brothers of the road by cracking skulls as much as by leadership.

Jorg is no ordinary teenager. He's lived among the brutal marauders, under their rules for the last four years. He left his father's castle by his own choice at the age of ten on a quest to avenge his mother and brother who were horribly murdered before his eyes. His quest as yet unfinished he travels his world making war and death his stock and trade. Until that is he's brought home and the path he's chosen is forced to change.

I haven't read a book with such a great first person narrative in ages! Jorg makes no bones about just what sort of person he's become since he left his father's castle telling us exactly what it is he and his men do as they wander about in as clear detail as he cares to offer. Jorg it seems has become an evildoer and relishes the action and battle he finds with his comrades though that horrible night which changed his life is never far from his thoughts. While this should make him a less than sympathetic character it well and truly doesn't! While he's capable of a great deal of wrong he's also a very keen wit and is clearly acting to survive in a world he feels has no sympathy for the innocent. He is essentially giving his world back the same pain and misery it has given him only with a lot more charm and cunning than it bargained for!

While Jorg is only 15 he speaks with the voice of a man twice his age and with a wry sort of humor most couldn't take in such darkness. His companions and the many combatants they meet along the way are just as intriguing as the storyteller himself. I think any fantasy fan is going to love this book! The voice Jorg tells his tale with (there is more on the way thank goodness!) is crisp clear and very easy to get caught up in. Lawrence's writing is hugely entertaining and he takes us to so many unexpected places that you can't help but want to read more. This books is a treat to read and well worth the time invested!

69 of 79 people found the following review helpful.
Prince of thorns
By Blodeuedd
Note: review by a friend

Brother Jorg, Prince Honorous Jorg Ancrath, will be King by fifteen. Emperor by 21, probably. But at the moment he is a road bandit, rapist, butcher, torturer. And he is the hero of the book Prince of Thorns, by Mark Lawrence.

You get heroes of all kind in fantasy literature - heroes with varying degree of skill, powers and motivation. The good guys are pure of heart and clean of face. Then we have the anti-heroes, the unwilling heroes who have the hero-hood thrust upon them, but they always come through, and finally show their heart of gold.

Brother Jorg is at the far end of that scale, you might say. He is a stone cold bastard, thirteen year of age, killed more men than the plague. But ok - the land is riddled with war; the feuds between the little kingdoms have been going on for decades, centuries. If he can become the Emperor, at least there will be no more war.

Prince of Thorns is the first book of a trilogy, where we will follow Jorg's path. The set is an alternate Europe (with magic, ghosts and monstrosities), refreshing it its simplicity. The focus is entirely on Jorg. His stubbornness and lack of fear is legendary - he survives against overwhelming odds by a mixture of intelligence, brutality, dirty tricks, cunning, necromancy, etc.

What do I think about it? If you can get through the initial revulsion in the first dozens of pages (where the author really grinds your nose into the feces of brutality and immorality, to get your mind on the right track) it's a wonderful book! A page turner, I personally read it in one sitting. Ok, you may learn that Jorg has had a rough childhood to motivate his deeds, but that doesn't really matter. It is refreshing to just be able to follow the machinations of an artful bastard, winning against all odds. Just don't expect much romance and love - there is a hint, but no more.

Conclusion:
Extremely different! But refreshingly so. I will read the other two books, that's a promise.

Rating:
Recommended, for some

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Minggu, 23 September 2012

[Y347.Ebook] Download PDF The Twelve (Passage), by Justin Cronin

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The Twelve (Passage), by Justin Cronin

NEW YORK TIMES BESTSELLER

The end of the world was only the beginning.

In his internationally bestselling and critically acclaimed novel The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with . . .

THE TWELVE

In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.

One hundred years in the future, Amy and the others fight on for humankind’s salvation . . . unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.

A heart-stopping thriller rendered with masterful literary skill, The Twelve is a grand and gripping tale of sacrifice and survival.

Praise for The Twelve

“[A] literary superthriller.”—The New York Times Book Review

“An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel

“The Twelve is even better than The Passage.”—The Plain Dealer

“A compulsive read.”—San Francisco Chronicle

“Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology. . . . Enthralling, emotional and entertaining.”—The San Diego Union-Tribune

“Fine storytelling.”—Associated Press

“Cronin is one of those rare authors who works on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram

  • Sales Rank: #322319 in Books
  • Brand: Brand: Ballantine Books
  • Published on: 2012-10-16
  • Released on: 2012-10-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.60" w x 6.40" l, 1.80 pounds
  • Binding: Hardcover
  • 592 pages
Features
  • New York Times Bestselling Author of The Passage

Amazon.com Review
An Exclusive Essay by Author Justin Cronin

Readers often ask where I get my ideas. The better question would be: Where don’t I?

Many people know that The Passage was born from a challenge laid down by my eight-year-old daughter to write the story of “a girl who saves the world.” This wasn’t exactly what I wanted to hear—it seemed a trifle ambitious—but a dare is a dare. For the next three months she joined me on my daily jog, following along on her bicycle, while the two of us hashed out the plot. As the weeks passed, I realized we were onto something much better than the book I was supposed to be writing. I put that book aside, wrote the first chapter of The Passage, and never looked back.

So don’t ever think you shouldn’t listen to your kids.

But my daughter’s challenge wasn’t the only inspiration. When I write a novel, my goal is to put absolutely everything I have into its pages, right down to the interesting thing that happened yesterday. I know I’m done when my mind feels as empty as a leaky bucket. So many influences, real and imagined, went into The Passage that I couldn’t list them if I tried. But one memory that stands out is the night my family and I tried to flee Houston in advance of hurricane Rita. Apparently, about a million other people had the same idea. After five hours on the road, we’d made it all of sixty miles. The highways were clogged with cars that had long since run out of gas; every minimart and gas station had been picked clean. I jumped the median and made it home in a little under an hour, my gas gauge floating just above ‘E’.

Rita missed Houston, slamming into a less-inhabited section of Texas and Louisiana coastline. But the experience of being in a large urban evacuation, with its feeling of barely-bottled panic, was one I’ll never forget, and is everywhere in the pages of The Passage.

So where did The Twelve come from?

Again, many places. But if I had to pick one source, it would be the strong women in my life. No bones about it: Gentlemen, if you doubt for a second that women are tougher than we are, go watch one have a baby. So here you have Alicia, the woman warrior with her blades and crossbow; here you have Amy, the spiritual leader and visionary; here you have one of my favorite new characters, Lore DeVeer, whose mechanical savvy is matched only by her unbridled sensuality; here you have a fourth woman (sorry, can’t tell you who) whose maternal strength is as powerful as any great spectacle of nature. As I wrote The Twelve, I came to understand that these powerful characters were the backbone of the tale. Even more, they are a tribute to all the amazing women I am privileged to know, befriend, and in one very lucky instance, marry.

Hope you enjoy The Twelve. All eyes.

Review
“[A] literary superthriller.”—The New York Times Book Review

“An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel

“The Twelve is even better than The Passage.”—The Plain Dealer

“A compulsive read.”—San Francisco Chronicle

“Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology. . . . Enthralling, emotional and entertaining.”—The San Diego Union-Tribune

“Fine storytelling.”—Associated Press

“Cronin is one of those rare authors who works on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram

About the Author
Justin Cronin is the author of The Passage, Mary and O’Neil (which won the PEN/Hemingway Award and the Stephen Crane Prize), and The Summer Guest. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts.

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5 of 5 people found the following review helpful.
Two tomes down, one to go
By Mark Nechodom
If Justin Cronin were not such a good writer, I would've put this whole series down a long time ago. But I kept reminding myself of the experiences of reading James Michener's novels. Which I had not done in sometime. Books such as these are at times a labor of love, not only on the part of the author, but on the part of the reader as well. I found myself slogging through minute details filling whole chapters, and then coming across a paragraph or a passage that was so well written I would go back and read it again. Sometimes again and again. And then there's the plot: at once finding myself saying "oh no, not another vampire story." But then again, standing back, seeing the entire arc of the story so far, I have developed a fond appreciation for the story and many of the characters. It is epic. And beautifully crafted in places.

3 of 3 people found the following review helpful.
Impressive
By Mrs.Quinci35
This is a marvelously written scary tale for adults to read at night.

For a dark story, it's bright and vivid. Cronin is mindful of details and never leaves us hanging or confused. Each new development has a starting point and conclusion. Every character met has a end, even if you don't learn it right away.

The descriptive details are so well done one can easily envision the decrepit war torn cities or the sight of evil as claws are flexed and teeth are exposed. You can almost hear the creaking of doors as they open or the sound of underbrush crunching under boots in the forest. It's all very exciting! Reading it made me feel like a kid again when I lay beside my mother as she read on about Grover and the monster under his bed. It's very captivating.

What I love is how the story is mature with depth and so far from superficial. So many fiction novels stay on the surface. Characters and plots move forward in a basic way feeding the reader little quality. You don't know what the characters are feeling or experiencing on a deeper level. Here you learn all things: sights, smells, sounds, feelings, thoughts and individual dispositions. No two characters are the same. There is always something new to learn.

There is also a journalistic quality to the work almost like one big elaborate set of human interest pieces merged and compiled to create a whole new story where lives overlap and each backstory has one common element: death and vampires. Even the antagonists' stories are complicated with their beginnings, midpoints and endings. Everyone and everything has a story.

Cronin gives us a wide view of this diseased riddled world with brave survivors fighting an immortal force hell bent on eradicating humanity. I love it!

3 of 3 people found the following review helpful.
Great continuation of the story
By J. L. J. Wilson
The Twelve is the second book in the The Passage trilogy. It continues the story of the key characters that survived Book 1 some 5 years after them reaching Roswell - and the events that occurred there. In addition, early on in the book it introduces a couple more time perspectives. One set in the days immediately after the original collapse of Project Noah and the over some 30 years before the events of the main timeline. We are provided with some new (and familiar) characters and different back stories that contribute to the overall telling of the trilogy. I enjoyed this as it gave it depth. Although I wish I had found the list of characters before I got to the end of the book!

I started this book immediately after Book 1. It is a bit darker - in terms of lows that mankind has and will stoop to. That said the story is enthralling. Within minutes of finishing The Twelve I downloaded the final book City of Mirrors.

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Sabtu, 22 September 2012

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Kamis, 20 September 2012

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Henry Goes West, by Robert M. Quackenbush

Lonely without his friend Clara who is vacationing out West, Henry the Duck decides to pay her a surprise visit.

  • Sales Rank: #868228 in Books
  • Published on: 1982-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 48 pages

About the Author
Some time ago, Robert Quackenbush received a letter from a young reader who was puzzled by his name. "Are you really a duck?" the letter writer asked. Mr. Quackenbush decided right then and there to write stories about a disaster-prone duck named Henry.
Robert Quackenbush is the author / illustrator of more than 200 books for young readers. He has been awarded honors and prizes for his work, including a gold medal from the Holland Society of New York for distinction in art and literature. His art is in the permanent collections of the Whitney Museum and the Smithsonian Institution. It is also on display in the gallery / studio he owns and runs in New York City. The place is fairly quacking with activity for, in addition to creating his books and paintings, Mr. Quackenbush teaches writing and illustrating there to children and adults.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Awesome
By Faith Rickert
Great book...and author.

1 of 1 people found the following review helpful.
Endearing duck encounters chaos on a trip out West
By Staci
This tale is a family favorite. Henry the duck misses his friend Clara who is out West, so he goes to visit her. The book is the story of all of the chaos that ensues during his trip. My children loved this book: it was their favorite. I would highly recommend it as well as the other stories in the Henry the duck series by Robert Quackenbush.

0 of 0 people found the following review helpful.
Five Stars
By deborah78681
Henry the Duck is the best Quackenbush character.

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Jumat, 14 September 2012

[W308.Ebook] PDF Ebook McGraw-Hill Education 10 ACT Practice Tests, Fourth Edition (Mcgraw-Hill's 10 Act Practice Tests), by Steven W. Dulan

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McGraw-Hill Education 10 ACT Practice Tests, Fourth Edition (Mcgraw-Hill's 10 Act Practice Tests), by Steven W. Dulan

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McGraw-Hill Education 10 ACT Practice Tests, Fourth Edition (Mcgraw-Hill's 10 Act Practice Tests), by Steven W. Dulan

The practice you need to succeed on the ACT

McGraw-Hill Education: 10 ACT Practice Tests, 4th edition, helps you gauge what the test measures, and shows you how it's structured and how to budget your time for each section. Written by the founder and faculty of Advantage Education, one of America's most respected providers of school-based test-prep classes, this book provides you with intensive ACT practice to help your scores improve from each test to the next. You'll be able to sharpen your skills, boost your confidence, reduce your stress--and to do your very best on test day.

Features Include:

  • 10 complete sample ACT exams, with full explanations for every answer
  • 10 sample writing prompts for the optional ACT essay portion
  • FREE interactive Test Planner app that will help you customize your study schedule
  • Scoring worksheets to help you calculate your total score for every test
  • Free access to more practice ACT tests online

  • Sales Rank: #5777 in Books
  • Published on: 2014-07-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x 1.50" l, 2.95 pounds
  • Binding: Paperback
  • 864 pages

About the Author

STEVEN W. DULAN is the founder and president of Advantage Education, Inc., which offers live test-prep classes at high schools and colleges throughout the Midwest and online.

Most helpful customer reviews

14 of 14 people found the following review helpful.
SCAM -- these practice tests don't match the ACT and are far easier
By J. Stewart
This book is a scam. Crazy that McGraw-Hill would publish such a book. For reasons that make no sense, they fill the book with "ACT Practice Tests" that are materially different than the types of questions on the ACT and on balance the overall tests are much easier than the real ACT. If you're going to error on either side, wouldn't you want practice tests a bit more challenging than the real tests? Seems very irresponsible for them to release this deceptive book.

8 of 8 people found the following review helpful.
Different Editions; Same Practice Tests!
By Cristina Jennings
I was disappointed to find that the fourth edition had not improved from the third.

5 of 5 people found the following review helpful.
While it does contain a good general review
By Tanya Joyner
This book contains significant errors. Specifically - test 6 and 7 both have a ratio problem that is incorrectly explained and the answer is wrong. Test 2 has an error in one of the science passages (but the explanation is correct - its just wrong on the multiple choice). So USE THIS BOOK WITH EXTREME CAUTION! While it does contain a good general review, it is not hard enough to raise a child's score past a 26 or 27. I am speaking from over 20 years as an ACT tutor. Go back to the best - go to Barrons! it works better

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Senin, 10 September 2012

[L120.Ebook] Get Free Ebook First French Kiss: and other traumas, by Adam Bagdasarian

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First French Kiss: and other traumas, by Adam Bagdasarian

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First French Kiss: and other traumas, by Adam Bagdasarian

Growing up male - funny, touching, and as unexpected as life itself!

This collection of finely crafted stories from the acclaimed author of Forgotten Fire zeros in on the moments of comic confusion and tender transformation that make up one boy's wild ride through childhood and adolescence. Whether it's struggling up a godforsaken mountain with other miserable campers, tossing aside all scruples to scramble to the top of the school social heap, searching for the true path to romantic love, or trying to meet the expectations of a father whose high standards seem impossible to live up to - these funny and affecting tales of triumph, humiliation, love, loss, competitive kissing, and laxatives will touch readers and have them laughing out loud as Will, a boy with an overactive imagination, grapples with "what it takes to be a man" and "what kind of man will I become?"

First Serial Seventeen Magazine

  • Sales Rank: #73016 in Books
  • Published on: 2005-10-03
  • Released on: 2005-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .38" w x 5.13" l,
  • Binding: Paperback
  • 144 pages

Amazon.com Review
Fledgling author Adam Bagdasarian surprisingly follows up his grim, highly lauded first novel Forgotten Fire with a series of humorous, autobiographical sketches about his childhood and adolescence from ages 5 to 20. Bagdasarian is at his funniest when commenting on the trials and torments of puberty, especially when it comes to the opposite sex. In the title story, sixth-grader "Will" (the thinly disguised author) discovers that French kissing doesn't just happen: "I tried to find a way to kiss her and breathe at the same time, but no matter where I turned my head, her nose was always there." And in "Going Steady" Will realizes that dating a seventh-grade girl is going to require diplomacy when she "handed me a small white stuffed unicorn with silver glitter on its horn ... as though it were a baseball signed by Willie Mays, and I took it as though it were a poison apple." Beyond dating drama, Bagdasarian's teen self also explores the idea of old age and death. In "A Short Life," he melodramatically fantasizes a lump on his head is a tumor and he will probably die before seeing Europe, and in the more serious "My Tutor," he is moved to tears by an aged geometry teacher who can no longer remember, let alone teach, familiar proofs. By turns witty, ridiculous, and poignant (the stories about Bagdasarian's much beloved father are among the more touching pieces) First French Kiss is a short, sweet collection that teenagers of all ages will read with pleasure and recognition. (Ages 13 and older) --Jennifer Hubert

From Publishers Weekly
This volume of brief, sparely wrought stories encapsulates significant moments during a boy's youth. Writing alternately in the voice of the boy, Will, and in third person, Bagdasarian (Forgotten Fire) poignantly re-creates universal "traumas," both minor and major. Some vignettes are humorous, such as Will's account of his disappointingly unromantic first make-out session, his memory of being Scotch-taped by his older brother and his explanation of how he became one of the "popular boys" at age 10. Other scenes, more somber in tone, evoke Will's recurring fears and expanding knowledge of mortality. The narrator's obsession with the aging process, eloquently expressed in "Time" ("His heart was sick with sorrow and nostalgia and grief and the knowledge that even this moment was doomed to pass"), foreshadows the death of Will's father. Although the entries are not arranged in chronological order, readers will perceive Will's steady forward movement. And if the shifts between first and third person don't enhance the storytelling, the narrative is nonetheless evocative in its entwinement of childlike candor with adult wisdom. Ages 12-up.
Copyright 2002 Reed Business Information, Inc.

From School Library Journal
Grade 8 Up-Memories of childhood and adolescence are revealed through stories told by Will as he grapples with karate lessons and school-yard fights, and dreams of being a writer. A hilarious account of a first kiss unfolds through the refreshing voice of a delightfully honest sixth grader. Stories flash back to the age of 5 and forward to the age of 20 with a fair amount of time devoted to the wondrous, yet tortured, years in between. A story about the ambivalence of going steady in seventh grade describes "Linda" as someone who "-was looking for someone to love much as a boa constrictor looks for a small pig or owl to swallow." The account of the day Will's brother leaves for college is a touching piece with a hint of sadness. The last stories involve the protagonist's famous songwriter father, who is portrayed as larger-than-life, loving yet critical; his death marks Will's transition from boy to man. Well-developed characters and amusing insights into some universal experiences make this title a rewarding choice.
Vicki Reutter, Cazenovia High School, NY
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Caley's review
By Caley
My friends both recommended this book and I really thought it was both funny and amusing (yes...they are different things). This story of a boy's life is full of many anecdotes, some insightful, all funny. I really recommend

3 of 3 people found the following review helpful.
The Joys of Teenage Trauma
By Harold McFarland
Adam Bagdasarian offers up several short, wonderful tales of the trails, indecision, fears and strange motivations that make being a teenager such a strange and magical time in anyone's life. Whether you are a teenager going through those times or an adult who can now look back at them in humor, "First French Kiss" is a delightful read. With stories depicting such common problems as social acceptance, camping, and an overactive imagination, the memories just come flooding back. Every reader will find at least one of the short vignettes that will speak directly to them. For me it was the experience of Little League, Going Steady, and, of course, that First French Kiss. I thoroughly enjoyed the trip back to my teenage years and the traumatic (but now humorous) times. A fun read for teenagers and adults.

0 of 0 people found the following review helpful.
at first unorganized, but ties itself together
By Janice Katt Med
"First French Kiss and other Traumas..." definitely had its moments. Throughout these excerpts from the writers youth, he tells entertaining stories, but in a random and unorganized style. While reading the book, i was entertained, but at the same time i was puzzled as to why he was choosing which story to tell, and the order he chose to arrange the stories in. However, within the last two stories, the reader engaged me and made me feel like i understood everything he was going through. With the death of his father, the most captivating scenario he described in his memoir to his father was his father vs. him AND his brother in an arm wrestling contest. That scenario captured the relationship he had with his father: the stereotypical (charming none the less) father-son relationship where the father is a big strong man and the son looks up to him. this book will have you make you want to cherish your youth years. it is truley a gem.

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Strategic Decision Making: Multiobjective Decision Analysis with Spreadsheets, by Craig W. Kirkwood

Intended for courses in multiobjective decision analysis or as a supplement to a first course in decision analysis, this text emphasizes practical applications and problem solving. Students learn how to use spreadsheets and other analytical tools in considering such important tradeoffs as cost versus quality and market share versus short-term return on investment.

  • Sales Rank: #845959 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 1996-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .83" w x 7.36" l, 1.21 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Used Book in Good Condition

Review
1. Making Decisions Strategically 2. Structuring Objectives 3. Developing Alternatives 4. Multiobjective Value Analysis 5. Thinking About Uncertainty 6. Decisions with Uncertainty 7. Multiple Objectives and Uncertainty 8. Resource Allocation 9. Multiattribute Preference Theory Appendix A. Case: Computer Networking Strategy / Appendix B. Scenario Planning for Decision Making / Appendix C. Probability Elicitation Interview / Appendix D. Interdependent Uncertainties / Index

From the Back Cover
To help you understand how to analyze decisions with multiple objectives while using spreadsheets, the author introduces concepts through clear explanations and Microsoft Excel instructions. Examples and exercises focus on such strategic applications as new product development, computer system selection, corporate goal setting, facility site selection, production planning, procurement strategies, research and development portfolio selection, and product improvement budget allocation.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Excellent. All the techniques for making decisions with multiple goals
By Carol Jacoby
This is by far the best book I've found on decision analysis. Major decisions are generally hard for two reasons: 1) you have multiple, conflicting goals (e.g., cost, schedule, risk, performance,...); 2) there are uncertainties in the outcomes since you can't predict the future. This book provides analytical techniques to address both of these issues and come up with a defensible decision. In addition, it provides techniques for addressing risk aversion, resource allocation, benefit/cost comparison, and other decision issues.

The techniques are presented clearly with mathematical formulas and spreadsheet equations to implement them. The reader will need some facility with mathematical formulas. Familiarity with spreadsheets is helpful, though not necessary. But, the examples using Excel Solver are so impressive that they just may motivate you to find out more.

The early chapters present excellent guidance on structuring the decision--goals and objectives, alternatives, and useful metrics. The first analytical technique is called "simple multi-attribute rating technique using swings" (SMARTS). This allows you to combine both subjective and objective criteria and their relative importance to get a meaningful comparison of alternatives. Who says you can't compare apples and oranges? The calculations are very simple.

Later chapters build on these techniques with approaches to considering and modeling the uncertainty that bedevils most decisions. Preferences are key in making any trade-off, and so there is a thorough treatment of utility functions.

Both the text and exercises build on meaningful business examples.

Highly recommended.

2 of 3 people found the following review helpful.
Very Good Book
By Philip Chan
I like it for the small size, yet it provides 20 times more information on the subject matter. The instructor manual will provide readers with great examples for real-world applications.

0 of 0 people found the following review helpful.
I like it
By PBA
I like it, because Craig Kirkwook exposes mucticriteria decision making in a simple fashion using Excel based examples.
The author presents a heavy stuff in relative simple terms saving lots of time for whom interested in the subject.

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